A Workshop in Classical Realism by My Teachers, Numael & Shirley Pulido
MY PHOTOS: The Pulido Studio intensive workshop on Classical Realism
Numael and Shirley Pulido (my teachers) are now offering a workshop. I cannot think of any better opportunity for a student to learn to paint really well & really fast.
CLIP ART SERIES: Photographic Reference for Artists ~ now on iBooks
192 pages - by Karin Wells
CLIP ART SERIES: Photographic Reference for Artists ~ now on iBooks
192 pages by Karin Wells
PHOTOGRAPHIC REFERENCE FOR ARTISTS ~ COPYRIGHT FREE ~ DOWNLOAD ON IBOOKS
Life obliges me to do something, so I paint classical realism ~ and share how it is done. I hope it helps you because the world always has room for more good art....and the artists who know how to produce it.
3 comments:
Hello, I was wondering if this painting was done with one color, with white lightening the highlights?
Hmmmmm, it's not that simple. I seldom use the color white by itself.
I like to "dirty it up" with raw umber and I tend to add yellow ochre light (Winsor Newton) to white as the "universal color of light."
This painting is encaustic - meaning pigment that has been mixed into beeswax, melted and applied to the surface while hot.
(See my post on Evans Encaustics).
I did add traditional oil paint on top of the encaustic paint.
I really like this medium - it is faster than traditional oil paints.
Encaustics are "dry" when cool and can be reheated in order to continue to paint.
This piece is magical, so very beautiful.
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