Fear and Frustration


The only way to fight "Stupid" is to speak out with facts, common sense and compassion.

Katie Couric gets it right:



Finally we have a real chance to get a low cost, not-for-profit Public Health Care Option (like Medicare) if we call our Congresscritters and demand it.

If you like the insurance company you have - by all means keep it.

But it is the rest of us 45 million, hard-working uninsured folks that are so vulnerable that we are only one serious illness away from total financial ruin.

Join me?

Sick for Profit


The Democrats should've launched this campaign six months ago, easy.

Take a look at what you're fighting for, teabaggers.



Insurance companies, have you no decency?



This country seriously needs an outburst of common sense.

If ever there were a time for comprehensive health care reform, it's right now.

Yet the forces of darkness are lining up against this urgent need, buttressed by lies, mobs inflamed by those lies and millions of dollars changing hands and changing votes in Washington, D.C.

Safety Matters in the Studio


How safe are the art materials you use every day?


The three pictures below, for example, is one MSDS for a tube of Winsor & Newton's Cadmium Orange oil paint:


These MSDS (Material Safety Data Sheets) are easily available online. Each tube of paint & each art material of any type or brand has its own MSDS.

Personally, I refuse to use all paints that contain lead and the MSDS tells me this.


A good place to get instant (free) access to information would be a big online art supplier like Dick Blick. Also, any manufacturer will supply these data sheets on request.


Paint thinners can be reused. But when the solvent will no longer clear upon standing, it is exhausted and you will need to dispose of it.

Used thinners are a toxic waste.

Call your local recycling center for disposal instructions. I keep my spent thinners in a storage can and take it to the dump once a year on "Toxic Waste Day." Because it is a bio-hazard, I do NOT dump it into the soil.


To protect our precious water supply, no artist's materials, including acrylics, oil/water media and watercolors, should be washed down the drain - ever.

Encaustic Portrait: J Mitchell Bailey


I just finished this little encaustic, oil and graphite portrait.


(Jesse) Mitchell Bailey, 1918-1945
10" x 10" Encaustic, Oil and Graphite on Board


Detail of Mitchell's face.

This was a very difficult portrait to paint because:

#1 My reference material was poor

#2 The finished head is extremely small (1.75 inches high)

#3 I used encaustic paints and since I'm a beginner in this medium, my skill level is not up to snuff - yet.

Now, in the "DO AS I SAY BUT NOT AS I DO" Department....

I agreed to this job for no good reason.

It came with awful photo references (as you can see from the faded 70+ year old snapshots below). But merely because I had a beloved aunt named Jessie Mitchell I grabbed the job...go figure.


I was totally prepared to not have the client like it - but I wanted to paint it anyhow.

Mitchell died tragically at the age of 27. He had a strong, angular and exceptionally handsome face. He had been an oarsman at Yale and stayed in shape.

In my research I found an old magazine cover with a 1908 Leyendecker illustration of a Harvard Oarsman and leaned heavily on that as a basic body model. (So noted on the back of the painting.)

Per usual, I made his head too small so he would appear more "commanding and in charge." Read more about why I mess with reality both here and here.


Here is the entire painting without the frame (pictured above). You can see that I followed the Red, Yellow, Blue, Black and White Rule.

The overall "softness" of this portrait is characteristic of the way I am currently using my encaustic paint.

Some Nerdy Technical Details:

For starters, I've cranked up the heat on my encaustics and am working at 250-275 degrees F these days. Maybe hotter if I dare...

I did a little graphite drawing of that face (backwards) on tracing paper (I made-up shadows & added an ear) and transferred that, thus destroying the paper and embedding just the graphite into the first layers of encaustic.

Then I used a brush with powdered graphite to finish that face drawing in wax before I sealed it with clear medium. The face was too small to paint with a brush accurately but using a soft graphite pencil made it easy.


Above is an extreme blown up detail and hopefully you can see that the grey of the graphite represents the cool halftone. Of course, any student of mine knows that halftones are always cool, eh?


What I love about encaustic paint is that it is such an "immediate" medium. For example, if you hesitate a wee bit too long, the melted pigmented wax on the brush will harden and that brush will will stick to the surface and make an awful mess. Naturally I speak from painful personal experience. :o)

The rest of the painting is my usual layered mix of encaustic and oils.

I am only beginning to explore what this unique encaustic medium offers.


"Engrave It!" of Keene, NH supplied (they ship) the 1/2" high brass nameplate for the frame because I simply couldn't handle lettering that small in this medium.

Old Story, New Twist


It's so hot today, my paint is acting "funny." But I wasn't laughing until a fellow artist sent me this:

A truck driver was driving along on the freeway and noticed a sign that
read: Low Bridge Ahead.


Before he knew it, the bridge is right in front
of him and his truck gets wedged under it. Cars are backed up for miles.

Finally a police car comes up. The cop gets out of his car and walks over to
the truck driver. He puts his hands on his hips and says, "Got stuck, huh?"


So, the
truck driver says, "No, I was delivering this bridge and I ran out of gas."

Just an observation but so many of my fellow artists (me included) have a wacky sense of humor and are political junkies.

Could it be that if our thoughts turn to the heated political scene very often, we need a lot of humor to survive with our sanity intact?

This Summer: Meteor Showers are Coming to a Sky Near You

And it promises to be a heckuva show!

Catching a meteor show on a big night can make your summer.


Over the next few weeks, three meteors showers will converge, with the best shows expected July 28-30 and August 12-13.

Since I live in the country, it will be easy for me to see the night sky.
.

I find the night sky endlessly fascinating. This photo was taken at the North Pole this year.

If you are in a place where you can see each star in the Little Dipper, your eyes will have "dark adapted," and your sky view is probably dark enough. Under these conditions, you will see plenty of "shooting stars."


Treat meteor watching like you would the 4th of July fireworks.

Pack comfy chairs, bug spray, food and drinks, blankets, plus a red-filtered flashlight for reading maps and charts without ruining your night vision. Binoculars are not necessary. Your eyes will do just fine.


If the weather cooperates, you're sure to enjoy a spectacular show just like the ones that entertained all the great (and not so great) artists that lived before us....

Here's One Way to Stop that Dratted Trampoline Effect

Where I live, I need to keep an eye on temperature and humidity changes. Linen canvas will get very baggy and saggy in the dry wintertime.


A baggy canvas causes the "trampoline effect" - a pronounced elasticity in the center which can drive you nuts when you're painting.

In order to create a stable substrate, I used to put cardboard behind my canvas when I painted. And sometimes it sorta worked.

I even had a 24" stretcher* snap when a linen canvas suddenly tightened up in humid weather. Of course it wrecked the painting. And believe me, re-stretching a painting is no picnic.



The aren't cheap. But if you sell your work, it must be archival. Since I began using Art-Boards, it has solved a thorny long-term problem with those large linen stretched canvases.

The linen is mounted with a reversible archival conservator's adhesive that creates a barrier between the panel and the canvas. This means that a painting can be removed from the canvas panel at any time in the future.

The panels I like have an untempered solid core construction with a solid surface of oil primed #13 Claessens Belgium linen.


This panel is 3/8" thick. It also comes with acrylic primed cotton canvas.

These panels have recessed hanging slots and that makes it easy to hang a wet painting on my studio wall to dry.


Custom size linen panels can be ordered to any exact size and made as large as 54" x 120".
They can can be made cradled or uncradled.

They also attach a high quality watercolor paper to their boards.

* Because of that (lightweight) stretcher accident, I only use heavy-duty stretchers for any painting 20" x 24" and larger.

Goodbye Walter, I'm so sorry to see you go***

The "news" stars are currently filling the airwaves flamboyantly commemorating Walter Cronkite's death as though his work reflects well on them.


But their sycophantic servitude to mindless talking-point stenography represent what they actually do.

In Walter Cronkite's "Tet Offensive Editorial" I find the essence of journalism that today's modern media stars not only fail to exhibit, but explicitly disclaim as their responsibility:

"I think there are a lot of critics who think that [in the run-up to the Iraq War] . . . . if we did not stand up and say this is bogus, and you're a liar, and why are you doing this, that we didn't do our job. I respectfully disagree. It's not our role"
- David Gregory, MSNBC, May 28, 2008.

Yeah, right. Over the past eight years, David and his ilk allowed our politicians to run amok.

My generation came of age at a time when Walter Cronkite was the name in American culture synonymous with credibility and respect. His role in our society transcended his TV news anchor position.

When he said ‘and that's the way it is,' we believed his every word because his compassion, dignity and respect merited our trust.

I'd like to think that Walter Cronkite and the news did not die on the same day.

*** Hold the Presses!


After I posted this depressing piece I saw something that made my heart sing!

I saw news anchor (MSNBC's Rachel Maddow) apologize for mistakenly allowing lies to be presented as facts on her show - and - she did the research and corrected them!


Can you imagine how refreshing it would be to tune in to the news at the end of a busy day and trust that you were hearing factually researched material?

How nice to think that "Faux News" could no longer dominate the opinions and stirs up prejudice and lies among low-information voters.

Sticking to facts would be the beginning of a better and more realistic peaceful world.

I think that Walter Cronkite would have been very proud of Rachel Maddow.

You can see her show weeknights at 9pm EST on MSNBC-TV and it is rebroadcast at 11pm and 2am. She is also on the radio - check here for times and stations.

Meanwhile, TV (and radio) News Shows continue to swim in the sewer:

Depressing update: CNN's mainstream's prime time news anchor Lou Dobbs is taking the far right "birthers" mainstream, with his own signature, xenophobic touch: Dobbs uses substantial airtime to wonder aloud whether President Obama might be "undocumented"—a word Dobbs typically reserves for the illegal immigrants he rails against nightly.

And most mainstream media is giving Liz Cheney unfettered access to spew "birther" beliefs in order to deflect investigation into the legality of daddy Dick's actions during the Bush years.

The result of this mindless media diatribe is that a bunch of republican congresscritters have signed on to a "birther bill" whose only purpose is to divide the country.


The utter stupidity of it all makes me wanna cry. As a nation, we're not a sitcom, we have real problems to solve.

A Studio In My Pocket

Lord, I love a gadget!

In those salad years I carried a sketchbook nearly everywhere I went. Now I'm thinking how useful this little sketchbook device would have been too.


The three paintings just above and below have been done on the iPhone.

An app called "Brushes" is the medium.


The program is simple but the result can be rather sophisticated.


These three paintings above are samples from the Brushes Gallery. (I don't know the names of these artists but will post them when I find out).

The paintings below are by Jorge Colombo:


He painted it on his iPhone with an app called "Brushes."



Jorge Colombo has been working with watercolors and pens for decades.

But his latest tool, the iPhone app Brushes, has landed him a spot on the cover of The New Yorker Magazine.


Colombo's picture is of one of those street carts that sell hot dogs and pretzels in the heart of New York's Time Square. He stood there and painted it using his iPhone.

"Brushes" is available for download at the Apple App Store.

It only costs five bucks - who could resist?


Jorge Colombo

I think the best feature of this is that it doesn’t feel like something that was done digitally - it is quite the opposite."


Jorge Colombo

It is a bit like finger painting - using finger strokes on the tiny iPhone screen.


Colombo drew this painting within an hour while standing in line outside Madame Tussaud's Wax Museum in Times Square.

A brand new, no mess, no cleanup, no fuss quickie art form. You can stand there in public and not attract any attention whatsoever as you paint. For all the world knows you're just playing Solitaire.


Jorge Colombo

The Brushes app works on both the iPod Touch and the iPhone.


Marc Scheff did the above portrait on his iPhone.



Here's how Marc did the little movie (link above).


iPhone paintings were completely new to me until I read about them in Robert Genn's Twice-Weekly Newsletter. You can Subscribe free.

Genn's website The Painter's Keys is a great resource for painters. I go there often to browse.

Thanks Robert!

Let's Fight Like Hell for a Strong Public Health Care Option


We live in an "interesting" time. Our lives, the lives of our children and grandchildren can be better or worse than ours. We choose - or perhaps it is easier to say that Congress is currently choosing for us.

"Politics is not about power. Politics is not about money. Politics is not about winning for the sake of winning. Politics is about the improvement of people's lives. It's about advancing the cause of peace and justice in our country and the world. Politics is about doing well for the people."


When Paul Wellstone was elected to the Senate, he never forgot the thousands of ordinary folks that put their hopes and their dreams in him by working to get him elected.

He summed up his philosophy about why he was in the Senate by saying:

"I don't represent the big oil companies, the big pharmaceuticals or the big insurance industry. They already have great representation in Washington. Its the rest of the people that need representation."

These days I listen to c-span while I paint and oh boy, I have gotten an earfull.

No matter what people may think of Michael Moore, they will be hard-pressed to counter his film "Sicko" with one of a contrarian view.








And you can always rent the movie at your local video store or buy it on Amazon.

Call your Congresscritters now and demand that they support a strong public healthcare option. It is all happening right now - please don't wait.

So here's the mainstream Fox News coverage by Glenn Beck on the subject of health care:




His show is ranked 4th in the nation and has over 6.5 million daily listeners.

John Stewart comments on Glenn Beck: "Finally a guy who says what people who aren't thinking are thinking."

Now do you see why it is so darn important to contact your Reps and Senators in DC?